The Solo Practice Guide: A Review

It always drives me a little crazy when students neglect to practice in between classes. I know... They have kids at home, they work all hours, etc. - but it gets to me, because I KNOW they could be learning new stuff instead of reviewing the same material over and over.

As someone working on reaching dancers looking to supplement their lessons - or in some cases, don't learn at a studio at all - it was inevitable that I discover The Solo Practice Guide for Ballroom Dancing by Katie Flashner. Continue reading "The Solo Practice Guide: A Review"

Keeping Time, Part Three: The Anatomy of a Song

Note: This content is for members only.

Most of us hear at least a song or two every day - and many of us hear far FAR more than that. Yet, almost none of us stop to consider how a song is built, that there is a conscious reasoning behind the music we hear that makes the difference between harmony and cacophony. This is a huge opportunity that most dancers never take advantage of. Continue reading "Keeping Time, Part Three: The Anatomy of a Song"

If You Are Frustrated with your Dance Progress

It happens to all of us; no matter how talented or experienced you are, sooner or later you will hit a point where your dance progress plateaus. When trying to reach the next level feels like beating your head against a wall, and as effective.

This is a defining moment for you - the point at which you push on to achieve your goals, or turn away from them. There is no shame in either decision, unless you leave feeling there was still something left untried.

Hopefully, the suggestions below will keep you from ever feeling that way. Continue reading "If You Are Frustrated with your Dance Progress"

Raise Awareness, Raise your Dancing

We’ve been talking about how to avoid getting distracted by thinking during dancing, in order to make it more natural and fun for ourselves and our partner. When we raise awareness of what’s happening in our body, we remove focus from the part of our mind that’s constantly judging others, regretting mistakes, and planning for the future. This is not to say that planning the next step is bad, only that it will be replaced over time by the body’s intuitions - that is to say, it’s trained sense of what can naturally flow from the previous movement.

Trying to raise awareness can be a scary experience however. Many of us carry destructive thought patterns or ‘beliefs’ which we learned in childhood: ‘I am not enough.’ ‘I can never be a good dancer.’ ‘I have two left feet.’ ‘I am ugly.’ These voices often get louder when we raise awareness in our body, so we may have to weaken them before we can dance with greater confidence. In order to get there however, we must first understand the difference between who we are and what we identify with.

When we identify with something, it means we’ve tied some part of ourselves to it - things like the friends we keep, the car we own, and yes, the thoughts we hold. You can tell you’ve identified with something if the thought of losing it fills you with fear.

When we have the things we identify with around us, they make us feel safe. Even if some of those things are destructive to you, like fear-based beliefs. Losing something we’ve identified with can feel like we’re losing a part of ourselves. But here’s the paradox: Are you really defined by the money in your pocket, the house you own, and the beliefs you hold? These may all be great descriptors of you, but are they really you?

Here’s another way to think of it, and raise awareness at the same time: try watching your thoughts. Follow them, stalk them like a hunter in the jungle. Avoid forming opinions about them, but just allow them to be. Now, if you are your thoughts, then who is observing those thoughts? In truth, you are not your thoughts at all. Perhaps the best description is that you are a silent observer, a consciousness that watches with no thoughts at all.

This might seem like a roundabout way of explaining, but it’s necessary to arrive at a central truth: If you are not any of the things that you have, or think, then you have nothing to lose. This is the beginning of freedom, where we can start to dance, and live, with greater authenticity.

So at last, how can we raise awareness to stop the flow of negative, fear-driven thinking? Start by observing your thoughts, as you did earlier. You can do this while meditating, or working out, or doing any activity that slows your thinking at least temporarily. If impatience or frustration arise, just observe them like everything else - this is not a race to ‘get it’ as fast as you can.

As you raise awareness, you’ll find the stream of thinking slows, and even stops at times. You’ve created a ‘gap’ between observing and thinking, between who you really are and the filtering, judging, rationalizing mind. This gap gives you a chance to make a different choice when destructive thoughts arise - for instance, instead of reacting with shame, guilt, or anger, you might replace the thought with a more positive one, or even laugh at it for being so ridiculous. In this way, your mind, like your body, can be retrained to act in a way that comes from love rather than fear.

‘This is all well and good’, I hear you say, ‘but I still don’t see how raising awareness can improve my dancing.’ Next week, we’ll come full circle and explain how we can infuse this greater awareness into our dancing, so we can move fearlessly and authentically.

Body Awareness in Ballroom Dance

‘Kids: They dance before they learn anything that isn’t music.’
- William Stafford

Thinking in dancing is a double-edged sword. On one hand, it helps us plan the next step, and interpret what we learn in a lesson. But too much thinking can stifle our body’s natural movement. You can tell if someone is dancing more in their mind then their body; their movements are stiff and robotic, and they seem unaware of their partner, or the music. Virtually all of us suffer from over-thinking sometimes, but we can counter it with the body awareness. Continue reading "Body Awareness in Ballroom Dance"

Ballroom Dance Wear: A Comprehensive List

When we first get started learning a new skill - woodworking, for example - we start with only the basic tools. After all, why buy an entire workshop when you still can’t make a shelf properly? It’s only as you grow in experience, that you invest more in your craft, so you can be prepared to respond to more interesting requests from your clients. Likewise, we’ve covered the basics of ballroom dance wear: Now let’s look at a larger list for those looking to be a bit more prepared. I encourage you to print them out, if you like. Continue reading "Ballroom Dance Wear: A Comprehensive List"